Destruction, Sentence Of Death (EP), November 1984 (First Wave XXV)

  • Intro/Total Disaster – Black Metal version of this thrash track…
  • Black Mass – Black Metal thrash, new track and a blinder…
  • Mad Butcher – crisp recording of a demo favourite, an early proto-Possessed-death metal.
  • Satans Vengeance – Black Metal thrash, the evolution…
  • Devil’s Soldiers – almost a proto-Celtic Frost…

“I look around and scare, Skulls lie on the black altar, All crosses turned, Green blood drops from the walls…” Schmier, Mike Sifringer, Tommy Sandmann.

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Slayer, Live Undead, November 1984 (First Wave XXIV)

  • Black Magic – absolutely blistering live version of this seminal Black Magic track…
  • Die By The Sword – Blacker live version…
  • Captor Of Sin – this is for all the little cunts who like to spread their legs in the night…captor of sin…
  • The Antichrist – brutal live version…
  • Evil Has No Boundaries – Slaaaaayyyyyeeeerrrrrr…
  • Show No Mercy – still not showing any…
  • Aggressive Perfector – whilst not sitting well on the ‘Haunting The Chapel EP’ this thrash track sits well here.

“My Strength Slips Fast, Soon I Must Fall, Victim Of Fortune, My Sources Grow Small, Life Slips Away, As Demons Come Forth Death Takes My Hand, And Captures My Soul…” Kerry King, Tom Araya, Jeff Hanneman, Dave Lombardo

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Bathory, Bathory, October 1984 (First Wave XXIII)

  • Storm Of Damnation/Hades – The blueprint track for Black Metal…
  • Reaper – thrashed up Black Metal classic…
  • Necromansy – shades of Venom’s thunderbass…
  • Sacrifice – Norwegian Black Metal demon from Sweden…
  • In conspirasy With Satan – raw, brutal, thrash Black Metal onslaught…
  • Armageddon – nasty Black Metal horror…
  • Raise The Dead – a style Mayhem took to their black hearts…
  • War/Outro – Blackened Thrash…

“The lies of Christ will lose, The ways of hell I chose, I drink the floating blood, Defy the fury of God…” Quorthon, Stefan Larsson.

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Hellhammer, 1982-1984, R.I.P…

Hellhammer…a true band steeped in the traits of Black Metal; the sound, the lyrics, the production. A short lived proto-Celtic Frost threw out ideas that would surface in black tracks on ‘Frost albums and content from other bands. Hellhammer’s legacy would go on to haunt Celtic Frost…“Way back in 1984 and 85, when Martin Eric Ain and I recorded Celtic Frost’s first two albums Morbid Tales and To Mega Therion, Hellhammer lasted on us almost like a curse. Even though Hellhammer was the very reason we had thought over our goals and conceived the Frost, HH’s left-overs kept being mighty rocks in our way. Many voices saw Frost as the same band with just a name-change. The lack of musical quality in HH made it almost impossible for us to get an unbiased reaction for Frost. To make a long story short, it almost killed all our work and dreams” – Tom Warrior

But would Hellhammer die? Or would there be a twitching of undead life in its corpse?

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Hellhammer, Death Metal Split, October 1984 (First Wave XXII)

  • Revelations Of Doom – chugging Black Metal dirge…
  • Messiah – great Black Metal vocals and musicianship on this proto Celtic Frost track…

“Picked angels fall into emptiness;  Inverted crosses, damned saints;  A dead priest can’t celebrate a mass;  Ravaged cities, slayed in the night;  Black holes, Belial’s hour;  The Antichrist, born by church’s power…” Tom G.Warrior, Martin E.Ain, Bruce Day.

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Mercyful Fate, 1981-1984 R.I.P…

Mercyful Fate’s influence on the development of Black Metal cannot be understated, for a band that released it’s first material only a year after Venom’s first blasts they can be considered a true Godfather of the movement, one of the Satanic Trinity, Satan, Antichrist & False Prophet…for arguments sake we will deem Mercyful Fate as Satan in the Trinity. King Diamond’s lyrics and proto corpse paint persona are staples used throughout the Cvlt. Whilst musically their output has more in common with Occult groups of the 70’s crossed with the emerging NWOBHM sound – the twin guitar attack would inspire groups such as Iron Maiden and later power metal bands – as Satan Overlord of the Cvlt, Mercyful Fate stands head and shoulders above the filth below it…Whilst Mercyful Fate’s candle burned out quickly, it burned brightly, 3 demos, 1 EP, 1 single and 2 albums…

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Mercyful Fate, Don’t Break The Oath, September 1984 (First XXI)

  • A Dangerous Meeting – brilliant twin guitar attack, thunderous operatic Black Metal opening…
  • Nightmare – high pitched Black Metal vocals on a speed metal attack…
  • Desecration Of Souls – pure Black Metal intro bleeding into a heavy as hell track…
  • Night Of The Unborn – thrashing Black Metal, wonderful vocals from King Diamond…
  • The Oath – straight from a horror film into a homage to Black Sabbath and where many future Black Metal bands took their operatic inspiration from…
  • Gypsy – Doomy Black Metal…
  • Welcome Princess Of Hell – NWOBHM classic.
  • To One Far Away – gorgeous acoustic interlude.
  • Come To The Sabbath – nice folk Black Metal, prog coda, birth of power metal and Helloween.

“Magic circles drawn after midnight,  Around graves to be opened,  He’ll use the wand to raise a body, He’ll ask the questions and he’ll burn the remains…” King Diamond, Kim Ruzz, Tim ‘Grabber’ Hansen, Michael Denner, Hank Shermann.

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