The TMB Review: Celtic Frost, To Mega Therion, 1985

To Mega Therion (‘The Great Beast’), starts with a slow dirge like introduction. Riffs are played over brass instruments to create an almost film score doom track. Innocence And Wrath has no vocals but the composition catches the attention. The Usurper is a more typical mid tempo thrasher, Tom G.Warrior’s signature grunts are apparent and the riffing and subtle time changes are satisfying. The female vocals are discordant and take one by surprise, a track with very noticeable Black Metal traits. Jewel Throne is a chugger and is almost melodic until the time change at the half way point where it becomes more alive, the playing far more technical. The solo is divine. Dawn Of Meggido begins the Avante-Garde trait that Celtic Frost will make there path, the riffing and percussion sound wholly different to what has come before, vocals sit back in the mix, brass instruments are in effect and lend an epic feel, it all breaks down in the last third…

Eternal Summer has us back to thrashing, but in the Celtic Frost way, intense yet melodic, the guitars tuned to a sound that many thrash bands will try to emulate. Percussion is truly outstanding by Reed St.Mark. A classic, Circle Of The Tyrants is a track that cannot be over stated in it’s influence on Black Metalweird time signatures, vocal effects, intense thrashing and the main riff’s twisted violence, awesome…

(Beyond The) North Winds is pure Black Metal and is both intense and hypnotic, Tom G.Warrior’s vocals and riffs tightly supported by Steiner and Reed. Fainted Eyes contains some weird bass vocalisations and is by all intents and purposes a proto Blackened Death Metal track, very technical and very intense and brutal.

Tears In A Prophets Dream is pure Ambient Black Metal and is so far ahead of its time it is understandable that it was so misunderstood. Necromantical Screams is more easily digested, yet still retains ambient flavors. Horst Müller’s production in 1985 is sublime, clear and epic. 

Celtic Frost were one of the first metal bands to actively mix genres, and yet still produce extreme music. Their initial forays into Avant-Garde Black Metal and Ambient Black Metal were astonishing, not to mention their Death Metal traces and Post-Black Metal hints and ideas. They can possibly be the band that started multiple waves through the underground that only surfaced many years later in multiple sub-genres.

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Venom, 1980-1987, The False Prophet…

Venom…where to start, the inventors of the term Black Metal. The band that laid the footprint with their blasphemous lyrics and their mission to shock. But their deception was it being only a gimmick to sell records, so we shall deem them The False Prophet as they deceived us all…

Still, ask many a Black Metal band to name their influence and they will list Venom as a major player…

With Venom’s split the First Wave was coming to an end.

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Sarcófago, 1986-1987, split…

From 1986 when their Satanic Lust demo exploded into the underground in 1986 until their Christ’s Death demo in 1987, Sarcófago spewed their blasphemous black vomit into the scene…their intense sound encompassed a true black metal sound, yet their unholy flame burnt to quickly. Sarcófago split in 1987…but would their undead corpse rise again…?

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KAT, 38 Minutes Of Life, 1986

  • Intro – recorded during live shows at Spodek, Katowice, XII.1986-IV.1987
  • Czarne Zastępy – a sound that would influence a lot of the emerging German speed metal bands…
  • Diabelski Dom cz.II – cool groove Thrash…
  • Mag-Sex – superfast, melodic Power Metal.
  • Mordeca – sits astride the Blackened Thrash/Power Metal divide…
  • Wyrocznia – Blackened Thrash…Mercyful Fate lyrics…
  • Głos z Ciemności​ – more of the developing NWOBHM sound.
  • Masz Mnie Wampirze – Mercyful Fate screaming through…
  • Porwany Obłędem – Speed/Power Metal, super melodic.

“Spójrz na wielki czarci ołtarz, Przetrwał nędzne klątwy, Strzegły go “grzeszne” moce piekła, IN NOMINE DEI NOSTRI SATANAS LUCIFERI EXELSI! Daję Ci właściwy klucz, diabelskiego domu skarb, Kamień, z procy kamień, Kamień Antychrysta..!” Roman Kostrzewski, Piotr Luczyk, Tomasz Jaguś, Ireneusz Loth.

An album that sees KAT celebrating their Black Metal roots and developing into the Speed/Power Metal band of their next phase.

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KAT, Time of Revenge / Czas Zemsty, 1986

  • Time Of Revenge – From deep wounds, glare of hordes, Black King, comes, Abadon, Above him ring of heads, United devil’s wrath in red flame…
  • Czas Zemsty – Z głębi ran, W blasku hord, Idzie czarny król, Abadon, Nad nim krąg siedmiu głów, Sprzęga czarci gniew
    W płomień…

Fan-club release of English and Polish version of single, a modern UK metal track, very Onslaught in sound, and the direction KAT are moving in.

Roman Kostrzewski, Piotr Luczyk, Wojciech Mrowiec, Tomasz Jaguś, Ireneusz Loth

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KAT, 666, 1986

  • Metal i piekło
  • Diabelski dom – cz. I
  • Morderca
  • Masz mnie wampirze
  • Czas zemsty
  • Noce Szatana
  • Diabelski dom – cz. III
  • Wyrocznia
  • Czarne zastępy
  • 666

Polish release of Metal And Hell release…slightly different production, excellent Polish lyrics…

Roman Kostrzewski, Piotr Luczyk, Wojciech Mrowiec, Tomasz Jaguś, Ireneusz Loth

1986

Celtic Frost, Into The Pandemonium, 1987, First Wave XXXVIII

  • Mexican Radio – perhaps Celtic Frost invented Avant Garde post Black Metal…whatever this album contains a number of traits found in this sub-genre of Black Metal…
  • Mesmerized – genres mix and intertwine to amazing success…
  • Inner Sanctum – a straight edged Black Metal track appears…
  • Sorrows Of The Moon – a doomy The Cure type of ambient Black Metal…
  • Babylon Fell – back to a more traditional Celtic Frost sound…
  • Caress Into Oblivion – a their different styles mixed in one track…
  • One In Their Pride – heavy metal disco track
  • I Won’t Dance – Gothic Black Metal…
  • Rex Irae – a true ambient offering, that will become a staple of post Black Metal ambient bands…
  • Oriental Masquerade – more genre bending Operatic Black Metal…

This album, more than any that had come before invented the Ambient/Avant Garde Black Metal sub genre that would emerge late into the Second Wave…years ahead of it’s time both in sound, structure and ideas.

“Dreams drift in the frozen wind, And mysteries are reborn, We rose from sand and stone, To follow the light’s allure, Tears drift in the shadows sleep, Turn innocence into excess. Fragments of a dying world, And destiny lies beneath…” Tom G.Warrior, Martin E.Ain, Reed St.Mark.

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